58 bars at 170 BPM -- fast, and 1:22 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-19, 24-28 and 32-36, and 3 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 14 times: bars 7, 8, 11, 12, 16, 22 and 8 more.
4 more fills are written out on the fills page.
58 bars across 6 sections: 29 keep time, 14 are fills and 9 are stops. The longest unbroken stretch of time is bars 32-38.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
58 bars, about 1:22 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 7, 8, 11, 12, 16, 22 and 8 more.