93 bars, 4:58, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 49-59 and 65-75 -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 17 times: bars 10, 17, 21, 33, 37, 43 and 11 more.
5 more fills are written out on the fills page.
93 bars across 9 sections: 61 keep time, 17 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 49-59.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
93 bars, about 4:58 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 10, 17, 21, 33, 37, 43 and 11 more.