212 bars of 4/4 at 154 BPM, about 5:29 of playing, on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 42-43, 46-47 and 50-51, and 17 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 50 times: bars 9, 10, 14, 20, 24, 25 and 44 more.
13 more fills are written out on the fills page.
212 bars across 22 sections: 136 keep time, 50 are fills and 1 is a stop. The longest unbroken stretch of time is bars 43-57.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
212 bars, about 5:29 at the written tempo. The course breaks it into 61 exercises over 17 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 50 times: bars 9, 10, 14, 20, 24, 25 and 44 more.