137 bars of 4/4 at 110 BPM, about 4:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 41-42, 45-46 and 49, and 7 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 27 times: bars 16, 40, 42, 43, 44, 46 and 21 more.
4 more fills are written out on the fills page.
137 bars across 14 sections: 74 keep time, 27 are fills, 4 are stops and 18 are silent. The longest unbroken stretch of time is bars 55-67.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 53 out of 100; the rest of the number is everything around it.
137 bars, about 4:59 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 27 times: bars 16, 40, 42, 43, 44, 46 and 21 more.