97 bars of 4/4 at a walking 102 BPM, 3:48 of playing, on crash, ride, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 7-21 -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 14 times: bars 22, 30, 38, 52, 53, 54 and 8 more.
5 more fills are written out on the fills page.
97 bars across 8 sections: 43 keep time, 14 are fills, 22 are stops and 11 are silent. The longest unbroken stretch of time is bars 8-21.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
97 bars, about 3:48 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 22, 30, 38, 52, 53, 54 and 8 more.