110 bars of 4/4 at 122 BPM, about 3:36 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 20-35 and 46-61 -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 8 times: bars 19, 41, 45, 67, 71, 87 and 2 more.
110 bars across 10 sections: 90 keep time, 8 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-18.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 40 out of 100; the rest of the number is everything around it.
110 bars, about 3:36 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 19, 41, 45, 67, 71, 87 and 2 more.