350 bars of 6/4 -- not four -- at 140 BPM, 12:36 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 133-139, 141-151 and 153, and 1 more place -- 7.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 66 times: bars 8, 9, 10, 13, 14, 15 and 60 more.
29 more fills are written out on the fills page.
350 bars across 28 sections: 164 keep time, 66 are fills, 13 are stops and 74 are silent. The longest unbroken stretch of time is bars 233-247.
140 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 77 out of 100; the rest of the number is everything around it.
350 bars, about 12:36 at the written tempo. The course breaks it into 125 exercises over 40 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 66 times: bars 8, 9, 10, 13, 14, 15 and 60 more.