275 bars of 3/4 -- not four -- at 100 BPM, 8:28 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 43-45, and 4 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 24 times: bars 2, 6, 16, 33, 34, 38 and 18 more.
11 more fills are written out on the fills page.
275 bars across 20 sections: 194 keep time, 24 are fills, 13 are stops and 24 are silent. The longest unbroken stretch of time is bars 39-57.
100 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
86 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
275 bars, about 8:28 at the written tempo. The course breaks it into 69 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 24 times: bars 2, 6, 16, 33, 34, 38 and 18 more.