77 bars of 4/4 at a walking 89 BPM, 3:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-6, 23-24 and 27-28, and 6 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 22, 46 and 58.
77 bars across 6 sections: 62 keep time, 3 are fills and 4 are silent. The longest unbroken stretch of time is bars 59-77.
89 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
77 bars, about 3:28 at the written tempo. The course breaks it into 20 exercises over 9 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 22, 46 and 58.