139 bars of 4/4 at 145 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-31, 33-39 and 57-63, and 3 more places -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 38 times: bars 4, 5, 6, 7, 8, 10 and 32 more.
8 more fills are written out on the fills page.
139 bars across 10 sections: 84 keep time, 38 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 33-39.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
139 bars, about 3:50 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 38 times: bars 4, 5, 6, 7, 8, 10 and 32 more.