176 bars of 4/4 at a walking 85 BPM, 8:13 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 86-99, 134 and 136-137, and 2 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 30 times: bars 3, 4, 5, 6, 7, 8 and 24 more.
7 more fills are written out on the fills page.
176 bars across 20 sections: 105 keep time, 30 are fills, 19 are stops and 5 are silent. The longest unbroken stretch of time is bars 117-133.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
176 bars, about 8:13 at the written tempo. The course breaks it into 64 exercises over 21 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 30 times: bars 3, 4, 5, 6, 7, 8 and 24 more.