172 bars at 190 BPM -- fast, and 3:38 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 55-61, 87-93 and 115-121, and 1 more place -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 57 times: bars 10, 12, 20, 22, 24, 34 and 51 more.
20 more fills are written out on the fills page.
172 bars across 22 sections: 87 keep time, 57 are fills, 6 are stops and 5 are silent. The longest unbroken stretch of time is bars 1-7.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
172 bars, about 3:38 at the written tempo. The course breaks it into 70 exercises over 18 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 57 times: bars 10, 12, 20, 22, 24, 34 and 51 more.