254 bars of 3/4 -- not four -- at 210 BPM, 4:12 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 157-170 and 173-187 -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 35 times: bars 11, 12, 14, 15, 16, 17 and 29 more.
6 more fills are written out on the fills page.
254 bars across 14 sections: 107 keep time, 35 are fills, 84 are stops and 13 are silent. The longest unbroken stretch of time is bars 158-188.
210 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
254 bars, about 4:12 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 35 times: bars 11, 12, 14, 15, 16, 17 and 29 more.