177 bars of 4/4 at a walking 100 BPM, 7:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22, 24 and 26, and 10 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 37 times: bars 18, 19, 21, 25, 29, 31 and 31 more.
23 more fills are written out on the fills page.
177 bars across 22 sections: 85 keep time, 37 are fills, 16 are stops and 24 are silent. The longest unbroken stretch of time is bars 131-137.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
177 bars, about 7:03 at the written tempo. The course breaks it into 77 exercises over 20 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 37 times: bars 18, 19, 21, 25, 29, 31 and 31 more.