114 bars of 4/4 at 118 BPM, about 3:51 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-34, 61-74 and 87-94 -- 27.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 11, 12, 20, 44, 52, 77 and 2 more.
114 bars across 13 sections: 81 keep time, 8 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 61-75.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
114 bars, about 3:51 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 11, 12, 20, 44, 52, 77 and 2 more.