84 bars of 4/4 at a walking 87 BPM, 3:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-43, 45-47 and 69-71, and 3 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 6, 20, 24, 36, 38, 40 and 7 more.
4 more fills are written out on the fills page.
84 bars across 8 sections: 54 keep time, 13 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 7-16.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
84 bars, about 3:52 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 6, 20, 24, 36, 38, 40 and 7 more.