88 bars of 4/4 at a walking 94 BPM, 3:45 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 30-31, 33 and 35, and 10 more places -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 14, 34, 36, 38, 40, 58 and 4 more.
2 more fills are written out on the fills page.
88 bars across 8 sections: 66 keep time, 11 are fills and 1 is a stop. The longest unbroken stretch of time is bars 42-52.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
88 bars, about 3:45 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 14, 34, 36, 38, 40, 58 and 4 more.