57 bars of 4/4 at a walking 84 BPM, 2:43 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8, 10 and 12, and 10 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 27, 31, 35, 44, 48 and 52.
57 bars across 8 sections: 40 keep time, 6 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 5-12.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
57 bars, about 2:43 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 27, 31, 35, 44, 48 and 52.