73 bars of 4/4 at a walking 82 BPM, 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-6, 23-25 and 27-29, and 1 more place -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 22, 30, 45, 49, 53, 57 and 5 more.
4 more fills are written out on the fills page.
73 bars across 10 sections: 51 keep time, 11 are fills and 1 is silent. The longest unbroken stretch of time is bars 10-21.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
73 bars, about 3:37 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 22, 30, 45, 49, 53, 57 and 5 more.