141 bars of 4/4 at a walking 108 BPM, 5:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 86-91, 98-99 and 106-107, and 3 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 35 times: bars 4, 8, 10, 12, 14, 16 and 29 more.
19 more fills are written out on the fills page.
141 bars across 15 sections: 77 keep time, 35 are fills, 7 are stops and 8 are silent. The longest unbroken stretch of time is bars 97-107.
108 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
141 bars, about 5:12 at the written tempo. The course breaks it into 62 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 35 times: bars 4, 8, 10, 12, 14, 16 and 29 more.