212 bars at 163 BPM -- fast, and 5:20 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35, 37 and 39, and 31 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 33 times: bars 24, 29, 32, 34, 42, 50 and 27 more.
13 more fills are written out on the fills page.
212 bars across 25 sections: 106 keep time, 33 are fills, 30 are stops and 26 are silent. The longest unbroken stretch of time is bars 10-23.
163 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
212 bars, about 5:20 at the written tempo. The course breaks it into 73 exercises over 19 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 33 times: bars 24, 29, 32, 34, 42, 50 and 27 more.