104 bars of 4/4 at a walking 90 BPM, 4:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-25, 27-29 and 45-47, and 10 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 8 times: bars 22, 44, 52, 54, 62, 76 and 2 more.
3 more fills are written out on the fills page.
104 bars across 10 sections: 78 keep time, 8 are fills and 5 are stops. The longest unbroken stretch of time is bars 90-103.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
104 bars, about 4:37 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 22, 44, 52, 54, 62, 76 and 2 more.