87 bars of 4/4 at 120 BPM, about 2:53 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 32-39, 42-48 and 56-61, and 1 more place -- 34.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 6 times: bars 49, 50, 54, 62, 81 and 85.
1 more fill is written out on the fills page.
87 bars across 9 sections: 60 keep time, 8 are fills, 10 are stops and 4 are silent. The longest unbroken stretch of time is bars 3-25.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
87 bars, about 2:53 at the written tempo. The course breaks it into 22 exercises over 5 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 49, 50, 54, 62, 81 and 85.