188 bars of 4/4 at a walking 93 BPM, 7:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-58, 60-65 and 92-98, and 1 more place -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 27 times: bars 16, 24, 25, 26, 28, 32 and 21 more.
6 more fills are written out on the fills page.
188 bars across 20 sections: 105 keep time, 27 are fills, 29 are stops and 10 are silent. The longest unbroken stretch of time is bars 50-58.
93 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
188 bars, about 7:59 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 27 times: bars 16, 24, 25, 26, 28, 32 and 21 more.