251 bars of 4/4 at 118 BPM, about 8:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 8-12 and 14, and 19 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 36 times: bars 1, 21, 25, 33, 41, 46 and 30 more.
12 more fills are written out on the fills page.
251 bars across 20 sections: 180 keep time, 36 are fills and 5 are stops. The longest unbroken stretch of time is bars 2-17.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
251 bars, about 8:26 at the written tempo. The course breaks it into 66 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 36 times: bars 1, 21, 25, 33, 41, 46 and 30 more.