98 bars of 4/4 at a walking 100 BPM, 3:55 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 21-23, and 2 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 5, 13, 17, 20, 28, 31 and 15 more.
7 more fills are written out on the fills page.
98 bars across 15 sections: 56 keep time, 21 are fills and 2 are stops. The longest unbroken stretch of time is bars 70-76.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 49 out of 100; the rest of the number is everything around it.
98 bars, about 3:55 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 5, 13, 17, 20, 28, 31 and 15 more.