133 bars of 4/4 at a walking 102 BPM, 5:13 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-7 and 9-24 -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 58, 66, 74, 84, 89, 90 and 9 more.
4 more fills are written out on the fills page.
133 bars across 9 sections: 98 keep time, 15 are fills, 5 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-24.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
133 bars, about 5:13 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 58, 66, 74, 84, 89, 90 and 9 more.