172 bars of 4/4 at 133 BPM, about 5:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-19, 21-23 and 25, and 4 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 19 times: bars 28, 36, 48, 51, 52, 56 and 13 more.
5 more fills are written out on the fills page.
172 bars across 17 sections: 84 keep time, 19 are fills, 12 are stops and 46 are silent. The longest unbroken stretch of time is bars 6-20.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
172 bars, about 5:10 at the written tempo. The course breaks it into 52 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 28, 36, 48, 51, 52, 56 and 13 more.