188 bars of 4/4 at 150 BPM, about 5:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 13 more places -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 12 times: bars 74, 85, 117, 125, 131, 133 and 6 more.
6 more fills are written out on the fills page.
188 bars across 23 sections: 133 keep time, 12 are fills, 9 are stops and 7 are silent. The longest unbroken stretch of time is bars 161-178.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
188 bars, about 5:00 at the written tempo. The course breaks it into 85 exercises over 28 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 12 times: bars 74, 85, 117, 125, 131, 133 and 6 more.