235 bars of 4/4 at 126 BPM, about 7:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 106-108, 139-141 and 187-202 -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 42 times: bars 16, 17, 20, 21, 22, 23 and 36 more.
11 more fills are written out on the fills page.
235 bars across 24 sections: 141 keep time, 42 are fills, 9 are stops and 19 are silent. The longest unbroken stretch of time is bars 187-202.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
235 bars, about 7:28 at the written tempo. The course breaks it into 74 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 42 times: bars 16, 17, 20, 21, 22, 23 and 36 more.