102 bars, 4:49, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 14 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 22 times: bars 4, 12, 20, 24, 26, 38 and 16 more.
12 more fills are written out on the fills page.
102 bars across 9 sections: 62 keep time, 22 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 27-35.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
102 bars, about 4:49 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 22 times: bars 4, 12, 20, 24, 26, 38 and 16 more.