112 bars of 4/4 at a walking 92 BPM, 4:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 13-16 and 19-20, and 7 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 4, 9, 36, 40, 65, 70 and 14 more.
6 more fills are written out on the fills page.
112 bars across 14 sections: 73 keep time, 20 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 42-56.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
112 bars, about 4:43 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 4, 9, 36, 40, 65, 70 and 14 more.