171 bars of 4/4 at 142 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-16 and 52-54, and 9 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 42 times: bars 17, 19, 21, 23, 25, 33 and 36 more.
17 more fills are written out on the fills page.
171 bars across 18 sections: 90 keep time, 42 are fills, 11 are stops and 6 are silent. The longest unbroken stretch of time is bars 86-92.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
171 bars, about 4:49 at the written tempo. The course breaks it into 59 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 42 times: bars 17, 19, 21, 23, 25, 33 and 36 more.