170 bars of 4/4 at 130 BPM, about 5:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-31, 33 and 35-37, and 6 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 50 times: bars 7, 8, 9, 15, 16, 18 and 44 more.
19 more fills are written out on the fills page.
170 bars across 17 sections: 86 keep time, 50 are fills, 11 are stops and 5 are silent. The longest unbroken stretch of time is bars 103-109.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
170 bars, about 5:14 at the written tempo. The course breaks it into 59 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 50 times: bars 7, 8, 9, 15, 16, 18 and 44 more.