90 bars of 4/4 at a walking 91 BPM, 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-24, 35-38 and 53-56, and 2 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 9, 10, 12, 14, 19, 25 and 15 more.
7 more fills are written out on the fills page.
90 bars across 15 sections: 51 keep time, 21 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 62-68.
91 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
90 bars, about 3:56 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 9, 10, 12, 14, 19, 25 and 15 more.