57 bars of 4/4 at a walking 82 BPM, 3:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 33-35, and 2 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 36, 44, 49, 50, 51, 52 and 1 more.
1 more fill is written out on the fills page.
57 bars across 6 sections: 39 keep time, 7 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 23-31.
82 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
57 bars, about 3:07 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 36, 44, 49, 50, 51, 52 and 1 more.