72 bars of 4/4 at a walking 89 BPM, 3:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 18-19, 22-23 and 36-37, and 3 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 13, 17, 27, 31, 35, 44 and 11 more.
3 more fills are written out on the fills page.
72 bars across 6 sections: 38 keep time, 17 are fills, 1 is a stop and 13 are silent. The longest unbroken stretch of time is bars 18-26.
89 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
72 bars, about 3:14 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 13, 17, 27, 31, 35, 44 and 11 more.