66 bars, 4:48, at 55 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 6-9, 14-17 and 30-33 -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 22 times: bars 5, 20, 21, 22, 23, 24 and 16 more.
66 bars across 11 sections: 31 keep time, 22 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 47-53.
55 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
66 bars, about 4:48 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 22 times: bars 5, 20, 21, 22, 23, 24 and 16 more.