121 bars of 4/4 at 125 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-8, 27-28 and 33-34, and 8 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 19 times: bars 1, 9, 17, 37, 45, 69 and 13 more.
4 more fills are written out on the fills page.
121 bars across 7 sections: 85 keep time, 19 are fills, 7 are stops and 1 is silent. The longest unbroken stretch of time is bars 82-105.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
121 bars, about 3:41 at the written tempo. The course breaks it into 27 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 1, 9, 17, 37, 45, 69 and 13 more.