175 bars of 4/4 at 140 BPM, about 5:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49-55, 100-102 and 104-106, and 6 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 6 times: bars 56, 58, 60, 75, 142 and 166.
2 more fills are written out on the fills page.
175 bars across 20 sections: 108 keep time, 6 are fills, 12 are stops and 30 are silent. The longest unbroken stretch of time is bars 127-141.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 58 out of 100; the rest of the number is everything around it.
175 bars, about 5:00 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 6 times: bars 56, 58, 60, 75, 142 and 166.