127 bars of 4/4 at 120 BPM, about 4:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 33-35, and 5 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 12, 48, 51, 68, 71, 72 and 5 more.
1 more fill is written out on the fills page.
127 bars across 11 sections: 87 keep time, 11 are fills, 8 are stops and 8 are silent. The longest unbroken stretch of time is bars 79-98.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
99 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 77 out of 100; the rest of the number is everything around it.
127 bars, about 4:14 at the written tempo. The course breaks it into 36 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 12, 48, 51, 68, 71, 72 and 5 more.