65 bars of 4/4 at 140 BPM, about 1:51 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 7 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 2 times: bars 64 and 65.
65 bars across 7 sections: 41 keep time, 2 are fills and 12 are stops. The longest unbroken stretch of time is bars 1-17.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
65 bars, about 1:51 at the written tempo. The course breaks it into 20 exercises over 8 sittings, about 21 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 64 and 65.