100 bars of 3/4 -- not four -- at 130 BPM, 2:37 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-27, 29-30 and 32-33, and 11 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 12 times: bars 24, 25, 40, 43, 57, 66 and 6 more.
1 more fill is written out on the fills page.
100 bars across 7 sections: 66 keep time, 12 are fills and 16 are silent. The longest unbroken stretch of time is bars 26-39.
130 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
100 bars, about 2:37 at the written tempo. The course breaks it into 23 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 24, 25, 40, 43, 57, 66 and 6 more.