304 bars of 3/4 -- not four -- at 140 BPM, 7:33 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 92, 95 and 97-99, and 8 more places -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 20 times: bars 16, 24, 64, 80, 104, 158 and 14 more.
10 more fills are written out on the fills page.
304 bars across 29 sections: 167 keep time, 20 are fills, 67 are stops and 12 are silent. The longest unbroken stretch of time is bars 214-235.
140 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
304 bars, about 7:33 at the written tempo. The course breaks it into 93 exercises over 29 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 16, 24, 64, 80, 104, 158 and 14 more.