135 bars of 4/4 at 145 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 19-21, and 16 more places -- 32.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 25 times: bars 12, 14, 16, 17, 37, 47 and 19 more.
7 more fills are written out on the fills page.
135 bars across 12 sections: 81 keep time, 25 are fills, 2 are stops and 18 are silent. The longest unbroken stretch of time is bars 53-66.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
135 bars, about 4:04 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 25 times: bars 12, 14, 16, 17, 37, 47 and 19 more.