131 bars of 4/4 at 120 BPM, about 4:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 30, 33 and 36, and 7 more places -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 30 times: bars 26, 34, 46, 52, 53, 54 and 24 more.
7 more fills are written out on the fills page.
131 bars across 14 sections: 68 keep time, 30 are fills, 9 are stops and 10 are silent. The longest unbroken stretch of time is bars 17-25.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 36 out of 100; the rest of the number is everything around it.
131 bars, about 4:22 at the written tempo. The course breaks it into 54 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 30 times: bars 26, 34, 46, 52, 53, 54 and 24 more.