158 bars of 4/4 at 130 BPM, about 4:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 36-42, 52-58 and 60-66 -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 18 times: bars 43, 67, 68, 70, 76, 78 and 12 more.
3 more fills are written out on the fills page.
158 bars across 17 sections: 85 keep time, 18 are fills, 3 are stops and 34 are silent. The longest unbroken stretch of time is bars 53-66.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
158 bars, about 4:52 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 43, 67, 68, 70, 76, 78 and 12 more.