64 bars of 4/4 at a walking 100 BPM, 2:34 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-16, 25-27 and 29-31 -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 40, 48 and 64.
64 bars across 4 sections: 14 keep time, 3 are fills, 41 are stops and 4 are silent. The longest unbroken stretch of time is bars 10-16.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
64 bars, about 2:34 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 21 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 3 times: bars 40, 48 and 64.