78 bars of 4/4 at a walking 94 BPM, 3:19 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 18-19, 54-56 and 58-60, and 1 more place -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 17, 19, 20, 53, 65, 69 and 1 more.
78 bars across 14 sections: 46 keep time, 7 are fills, 4 are stops and 12 are silent. The longest unbroken stretch of time is bars 10-16.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
78 bars, about 3:19 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 17, 19, 20, 53, 65, 69 and 1 more.