570 bars of 4/4 at a walking 100 BPM, 23:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3, 5 and 79, and 38 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 89 times: bars 7, 17, 21, 22, 23, 24 and 83 more.
22 more fills are written out on the fills page.
570 bars across 56 sections: 335 keep time, 91 are fills, 37 are stops and 31 are silent. The longest unbroken stretch of time is bars 170-190.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
570 bars, about 23:58 at the written tempo. The course breaks it into 172 exercises over 45 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 89 times: bars 7, 17, 21, 22, 23, 24 and 83 more.